<b>Chapter </b><b>132 </b>
<b>Noah </b>
Envy sleeps hard, nket to her chin, one hand on her belly. She needed this nap. We make the kingdom quiet on purpose. Xavier leaves water on the table. Haiden writes a note to let her know where we are. Levi checks the thermostat and leaves it warm. Elliot and Macey build a harbor out of cushions. Layah parks beside them, chin on paws, always
watching<b>. </b>
I take the corridor loop under the throne room with Hawk stretching in my skin. He likes this, stone, distance, the hum of the Underworld breathing. By the storage hall Levi’s decoy door purrs, content. Nothing curious at its edges.
The mindlink hits like a knuckle on ss.
‘Noah“. Tommy, topside. Short on breath. “North fence, orchard run. Ten, no, twelve. Moving wrong. We’re engaged.”
I stop. Hawk lifts his head and starts to pace. “We go.”
Copy,” I send. “Hold the line. Don’t overextend. Where’s Zion’s pair?”
On your creek line. We’re pulling them in.” A beat.” Ash and river on the wind.”
I’m on my way.” I turn back down the hall. “Levi,” I say out loud and on the link.
Listening,” Levi answers from two rooms over.
Tommy’s fence. Orchard run. Twelve. I’m going up.”
I’ll hold here,” he says. “I’ve got the decoy and the kids‘ door. Haiden’s outside I’ll link
im<b>.</b>”
Do it,” <b>I </b><b>say</b><b>. </b>“Let Envy sleep.”
<b>[</b>awkes up fast. I shift in the hall and take the stairs three at a time, ws ringing on tone, then nothing as the portal takes me.
<bnd </b>in the orchard and the world is sound. Whistles. Snarls. The hard thunk of bodies
into boards. Apples knocked down and rolling underfoot. The smell hits a half second
Hawk goes low and long. We clear the first row of trees and see them. Twelve. Coats dirty,
eyes ssy. They move like they’re listening to someone on the other side of a window. Our warriors are tight, three–and–three, no gaps. Zion’s pair is already sliding to the nk, good.
“Don’t chase,” Tommy calls<b>, </b>not loud and everyone hears him anyway. “Drag and pin.”
I hit the first rogue from the side, shoulder to ribs, take his feet out without breaking his leg. He snaps at air. Up close I see ash ground into the fur along his jawline, a smear under one eye. He smells like river and candle ends and something sweet gone wrong. “Left:, Hawk warns. We pivot. Another wolf lunges and then, stops. Not a check. A full halt like a leash got yanked. He blinks like waking and then surges past me, eyes empty, headed for the gap that isn’t there. Aleisha steps in, hooks his front legs, and drops him
into a hold.
“Under the bridge,” Tommy throws me, chin flick to the north. Saw a coat.”
<b>54 </b>
1
3
<i>Human</i><i>. </i>Not wolf. The word doesn’t go out loud. Hawk wants the run. I give it to him. We
break off the main tangle and take the service path, dirt slick, reeds whispering. The humming is there if you don’t try to hear it, thread–thin, steady, like someone**
remembering a tune and not caring if the notes are wrong. We hit the culvert and the world narrows. Shade. Drip. A tin can on a string tied to the grate, spinning slow, the
sounding from inside it like a caught insect. At the far edge, a figure in a coat the
color of old paper slides up the bank and into brush. They’re fast. Not wolf–fast. Human- running–fast, which is clumsy and loud in reeds.
Hawk surges. “Let me.”
We go. Up the bank. Over the low fence. We catch a sleeve just shy of the treeline and it tears off in my teeth. White fabric, ash rubbed into the cuff. The figure doesn’t look back. They vanish into sumac and the old quarry trail where we can’t run without announcing ourselves to the whole county<b>. </b>I drop the sleeve. We listen. The humming fades. Back at the culvert, I nose the can without touching the metal. Inside: a little twist of wire and bone suspended on a thread, a crescent cut through a straight sliver, the same mark as the bridge post. The can makes the sound when the wind hits it. Cheap, ugly lure. Smart.
<b>Aleisha </b>arrives at my shoulder, breath easy, eyes hard. “Saw the coat?”
<b>14:02 </b>Wed<b>, </b>Sep 3
92<b>%</b><b>1 </b>
“Ran,” I answer through the link. I shift back, grab a stick, and tip the can into a evidence bag without using my hands. “Left this.”
“Same mark,” she says.
We bag two more off the grate, tiny vials with grit clinging to ss, a twist of hair bound with red thread that isn’t ours, a scrap of paper with a single word scrawled in a tight hand: <b>hands</b><b>. </b>
Aleisha snorts. “They named themselves after the work,” she mutters. “Unimaginative.”
“Or hiding in the name everyone else uses,” I say.
Back at the fence, the fight is over. Threes, one tranq. No pack injuries past scrapes and pride. Zion’s pair has two wolves hogtied and panting and that’s when it happens. They shift, forcefully by the looks of it. They buck once, twice, then go still in the wrong way. Their eyes roll white and then fix. Not seeing us. Seeing past us. Their mouths open. The jaws don’t move. The soundes anyway. Layered. t.
“The child is ours.”
Everything stops without stopping. You can feel a pack hold a breath.
Tommy doesn’t step back. “Who am I speaking to?”
Both wolves: “The hands you keep swatting.” A beat. “Witches, if you need the old word.”
Aleisha’s knuckles go white on the line. Zion’s pair shift their feet, ready and not rushing.
“What do you want?” I ask. No theater.
“The child in the womb,” the voices say, in sync. “Order will be restored.”
Tommy’s voice stays level. “No.”
“The moon will take what is owed.” The tone never rises. It doesn’t need to. “Promise made. Promise kept.<b>” </b>
“Your promise isn’t ours<b>,</b><b>” </b>I say. <b>“</b>If you want to my child. You will die.”
Theyugh<b>, </b>t, wrong, like a recording yed through bad speakers.
“Tell me your name,” I tell the air. “Own it.”
Both wolves tip their heads at the same angle. “We speak for Salira.”
Aleisha’s mouth curves without humor. “Of course you do.”
“We will have the child. You have no choice.”
And then they drop, dead, lifeless. Nothing more, nothing less. Fuck.
“Why do so many want our pups?” Hawk growls in my head.
“I don’t know buddy, but we’re going to war.”
He nods in agreement. “War. I want blood.”
“You’ll have it.”
Chapter Comments
5 2
Write Comments