I’ve had exactlytwo one-night stands in my life, and this is almost exactly how I felt after them, only infinitely worse. The high from the illicit edge is delicious on the rise and mortifying on the fall. Like the man himself, it’s both horrifying and addictive. He’s a drug personified. Adeadly<span>one.


    I can feel the wrongness of what we did more efficiently than a vicious punch to the sr plexus. I’d almost prefer one. Violence is easyparedto<span>this.


    The wetness between my legs causes my underwear to cling, sparking an ufortable awareness of just how much I fucked up as Gracin backs away enough for my feet to drop back to the ground. Heat burns my cheeks and then drains away, leaving me cold and shaken and all toolucid.


    I shift from foot to foot, trying to figure out what my next move should be and wince at the remaining ache from how wide he spread my hips to amodate him. There aren’t words. The indecision isparalyzing.


    What the hell do you do after such a monumentalfuck<span>up?


    The steady throbbing ache inside me still craves to be filled, even as shame threatens to drop me to my knees. I didn’t feel this bad the first time Vic beat me.The trembling in my fingers intensifies as shock fades and horror follows inits<span>wake.


    He tips my face up with a finger, and my neck throbs in response, blood rushing to the ce where his hand had been only seconds earlier. Vic has done that so many times before, but I’d never told anyone what I let him do to me. Baring my shame this way hurts deep inside, and I want to run. My eyes want to fill with tears, which I desperately try to lock up until I make it out of this room. I repeat that in a constant refrain. I’ll be okay as long as I can make it out ofthis<span>room.


    I open my mouth to speak, but what can I say? I literally asked for it. Whatever repercussionse from what just happened, the only one I can fault is myself. When no wordse, I skirt around him, subtly adjusting my clothes, the ufortable warmth of mortification covering me like a nket, even though the center of me feels sovery<span>cold.


    “Tessa,” he begins, and Iwince.


    “Don’t.” My voice doesn’t shake as I settle into the familiar numbness. There wasn’t much mess from his bandages, so I pack up what little remains while keeping my back to him. Somehow, I know he won’t push me now. Somehow, I know he wants more than my pain, which is almostworse.


    Pain, I know how to deal with. This...whatever it is that he makes me feel is way moredangerous.


    When I turn, he’s waiting for me by the hall to the infirmary, his stance deceptively casual. Those arms, which were just around my body, are crossed over the chest I still can’t wait to explore at my leisure, despite the regret coursing through me like venom. I know full well he’s deceptionyered in an enigma, but my body still hungersfor<span>him.


    “This can’t happen again,” I say without meeting his eyes.I hold on to his promise like a drowning woman. It is my only lifeline. My only way to make sense of the mistake I made. “You won’t try to kiss me again ore see me,” I say firmly. “I did what you wanted. Nowit’s<span>over.”


    He nods, but I note he doesn’t confirm or deny that he won’t seek me out again. “Think what you want,” he says instead, “but we’re farfrom<span>over.”


    I don’t want to argue with him for fear of a repeat, so I bundle my things back into my kit and scurry to the storage cab like the little mouse he thinks I am. I feel his stare on my back the entire way, and then I spend way more time than necessary organizing and reorganizing the supplies. They’re already perfectly aligned, all the medicines and bandages in neat little rows. I envy their order when I’m in so muchdisarray.


    I have no idea what the hell I’m doing or where the hell Ibelong.


    I know I should be sorting through my next move and preparing to handle whates next. But my brain is too busy racing, trying to make sense of what just happened. It’s useless anyway. There is no way to impart logic onto chaos. And that’s exactly whatGracin<span>is.


    Chaos.


    Hourster,I finally have a few minutes to myself. Without thinking about it, I pull up Gracin’s name in the patient directory.The file I’d received for his patient records lists only his inmate number for security purposes, which is most definitely not the case with hisofficial<span>file.


    His intake photo should have been utterly repulsive. I mean, who looks good in the watery blue jumpsuits they make the prisoners wear? He does, of course. His hair is longer in the picture, so they must have shaved it after he got to the prison. He faces the camera with an insolent upturn to his chin and a flinty, hard look in his eye that I’vee to know intimately. The stark lighting makes the shadows beneath his striking cheekbones even more pronounced. Turns his face into all angles and hard edges. Just like the man, Ithink.


    I take a deep, cleansing breath as I try to talk myself out of what I’m about to do, but it’s useless. Instead, I tear my eyes away from his picture and begin to read the notes in his file. As I do, my heart starts to thud thickly in my chest, and I bite down on one nail as my other hand taps down thereport.


    GracinKingsley.


    GracinKingsley.


    Just repeating his name now has my bloodpumping.


    The basic, animalistic parts of me that had enjoyed our dirty liaison react with an uncharacteristic viciousness and beg toknow<span>more.


    After a quick nce at the office door, I hunch over the keyboard and continue to read. ording to the birthdate on the form, Gracin is thirty-five, born and bred in Macon, Georgia, as he told me when we first met. He lived a not-so-charmed life of abuse and poverty before his parents died and he was remanded into state custody. I flip to his medical history, and my stomach plummets. He hadn’t been lying about suffering abuse at the hands of his father. Included in his file is an extensive list of reports from various officials and healthcare professionals containing dozens of injuries, including but not limited to concussions, burns, and broken bones. My heart breaks as I picture him as a little boy at the hands of a man like Vic. Theundry list of crimes on his rap sheet is both terrifying and . . . impressive.His records don’t exin why he’s in prison, but it has to be something terrible for him to have wound up atckthorne.


    I don’t know if I even wantto<span>know.


    Within the confines of the prison gates, our rtionship, forck of a better word, is in a little bubble. I know I’m safe to an extent because he can’t get out. Aside from our brief contact during the workday, I don’t have to see him if I don’t want to, and I know that if I ever needed help, it would be one small call away. Learning more about his past makes it all real, final,definite.


    I close out of the file and log out of theputer for my shift, erasing my steps along the way the best I know how. It’s a risk looking up the restricted file, but I had to find out more. Now, I’m afraid I know too much and notenough.


    The house isquiet when I arrive home an hourte, but already, I feel the tension crackling in the air. I don’t see Vic anywhere, but I can sense him. Like prey who knows a predator is near. Watching. Waiting tostrike.


    For the first time since he hit me, I’m not terrified. I’m angry. And I know Gracin is the reason why. He makes me want things I can’t have. A different life. Him. Tofight<span>back.


    It’s dangerous, this seedof<span>hope.


    Probably a littlecrazy.


    How can a man like him make me want to be a strongerperson?


    The irony iughable.


    In fact, as I stand frozen in the front door, Iugh. No doubt Vic must wonder what the hell is wrong with his silly little wife that she’sughing like a loon, but for once, I don’t care. I don’t care that he’s going to take his fists to me in the very nearfuture.


    I don’t care that I kissed a man who isn’t myhusband.


    I think crossing the professional line, realizing I’m capable of terrible things, has done something to mybrain.


    Maybe the years spent suffering at Vic’s hands have finally made me crack. The girl I used to be would have never let a man like Gracin get past her defenses. She would never have even considered breaking the rules, let alone thew.Then again, she probably never would have thought she’d let her husband use her as a punching bag,either.


    A voice that sounds a lot like Gracin himself whispers inmy<span>head.


    <i ss="calibre3">What else canyou<span>do</i>?


    <i ss="calibre3">How far wouldyou<span>go</i>?


    How is it possible that one man, someone who is supposed to uphold thew, can tear me down, and another, who is supposed to be the scum of the earth, can buildme<span>up?


    I take a tentative step inside the house I’ve spent thest few years hiding in. A house that has only managed to spawn terror and nightmares, and for the first time, I’m not afraid. In fact, it’s myck of fear thatterrifies<span>me.


    It’s a state of being that makes me feel like I can doanything.


    Which is no doubt what Gracin hadintended.


    I nce around the living room on my way to the kitchen, noting the briefcase by the recliner and the snifter of brandy on the side table. Vic is home. Anticipation fills me, dark and potent. A twin of the desire that inspired me to draw Gracin’s head down and extend the kiss that was mydownfall.


    He must be in the bedroom, and the thought of him and a bed fills my mouth with bile. And I know without a shred of doubt that I’ll never share a bed with him again. I’ll never let him touch me. Never let himhurt<span>me.


    I’drather<span>die.


    I open the fridge, more from habit than anything else, and retrieve the pork chops I’d set out this morning for dinner. The mundane task of preparing dinner will soothe the wildness that’s brewing inside me. It’ll keep me from making any rash decisions. Well, provided that Vic doesn’t do anythingstupid.


    I pull out carrots and potatoes and set them on the kitchen ind. I get the ingredients to bread the pork chops and set grease to heat in a fryer on the stove. The bed creaks in the bedroom and an overwhelming sense of expectation unfurls in my stomach. His footsteps cause the wood in the hall to groan and my breath tocatch.


    “Where have you been?” he asks with deceptivenonchnce.


    Which is how all of his “discussions” begin. He finds an excuse, any excuse, to nitpick. Then he rants and raves. Then he getsphysical.


    It’s a cycle. One I’ve read about in books and seen in movies too many times to count. I just didn’t realize I was in one until it happened. Again andagain.


    I’ve hadenough.


    Afraid of the uncharacteristic rage I feel coursing through me, I rinse the vegetables with extra care. A white fog begins encroaching on my vision, and after I set the carrots and potatoes on the counter, I rub my eyes, thinking maybe I’movertired.


    Vic makes a frustrated sound. “I’m talking to you,” he says in a voice that used to make me shiver and cower in fear. Now it just makes meweary.


    Why have I let him hurt me forso<span>long?


    Why did it take me so long tosee<span>it?


    I don’t answer Vic as I select a knife from the butcher block and begin dicing the carrots into thin slivers. As I do, I imagine that I’m cutting into the restraints he has around me. The ones that have been suffocating me for so fucking long, their weight is like a second skin.It doesn’t take long for those restraints to morph into a vision of the man himself, and I squeeze my eyes shut to dispel theimage.


    I chop the carrots more violently. Vic must sense my mood and, in a smart move on his part, doesn’t say anything until I set the knife down on the counter and exchange it for a peeler. I skin the potatoes without ever looking up fromthe<span>task.


    I think I’mafraid<span>to.


    I’m afraid that when I do, everything will change. That the fundamental parts of me have been irrevocablyaltered.


    “Are you going to answer me?” he asks, and his voice tilts up at the end, as if he can’t quite believe I have the nerve to defy him.His dutiful little wife from this morning is gone, and he doesn’t know how tohandle<span>it.


    It must be seriously disconcerting to him. Yet, the power that floods me isimmeasurable.


    “No,” I say as I put a pot of water on to boil for thepotatoes.


    “No?” he asks, his voiceunnaturally<span>high.


    I prepare another pot with a small bath of water for the carrots and spare him a quick look before preheating the oven. “No, I’m not going to answer your question. You know good and well whereI<span>was.”


    “What did you say to me?” He rounds the ind and stands threateningly close tomy<span>back.


    My fingers still over the cookie sheet where I am spreading out biscuits for the oven. I look up and nearlyugh at the expression on Vic’s face. Hisplexion is mottled red. Sweat beads at his temples, and his lower lip quivers. If I had to guess, I’d say he’s almost enjoying the possibility of a confrontation. The very thought makes me sick to my stomach.Fear has been a constant, if unweepanion.


    Until<span>now.


    Vic’s hand convulses where he grips the counter, and his knuckles are petal-white where they’ve split and healed several times over. Those hands are frequent stars of my nightmares. All he used to have to do was raise them, even only infinitesimally, and I’d immediately submit to him. I’d shrink back in panic like the timid little mouse Gracin uses me ofbeing.


    Today, however, even seeing his hands flex threateningly, I’m not afraid. It’s as though my emotions are wrapped in cotton and experienced through ass<span>case.


    If I were honest with myself, I would admit this snap has been a long timeing. The abuse, both emotional and physical, was too much. The sense of istion and destion toostark.Belonging to N?velDrama.Org.


    There’s only so much one person can take, and this morning tipped thescale.


    It isn’t even because of Gracin. He’s a symptom of a muchrger problem. Maybe I went to his arms to force this confrontation. To put an end toit<span>all.


    He ismy<span>ruin.


    I had to reach rock bottom to see away<span>out.


    The knife glints in the yellow halo of light from the kitchen fixture overhead. When I look up, Vic is watching me with his beady, snake-like eyes. We both know what’ing.


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