In any country, there is a phomon referred to as "one word from above, and legs running below."


    What does it mean? A thought from the upper echelons of a country can lead to arge number of people in the middle and lower levels scrambling to carry it out.


    Especially for a monarch like Arthur who has great power, a single word from Arthur can set the tire Austrsia in motion.


    This is actually a double-edged sword. If this power is used properly, it can push the country in a more robust direction.


    However, if those using this power only pursue their own selfish desires, they may likely push the country into the abyss, a ce of no return.


    The good news is that Arthur carefully considers most of the orders he issues, and consults with the Cab Governmt or other officials wh uncertainties arise.


    Although Arthur has various experices fromter gerations, after all, he is just an ordinary person and may make mistakes.


    However, as the ruler of a nation, Arthur has arge number of subordinates and governmt officials to discuss with. These officials are meant for this purpose, and Arthur finds it quite handy to use them.


    Under Arthur''s decision to vigorously develop sound films, Austrsia''s three major film studios and rted researchers quickly got to work. Hundreds of literary workers, including various writers, novelists, m of letters, historians, and ev artists, were all gathered together.


    Their only mission is topile stories about the Austrsian nation to promote national unity and cultural idtity.


    The stories can be based on relevant historical facts or tirely made up, as long as they appear reasonably authtic.


    As long as they follow the overarching theme of national unity and cohesion, Arthur allows them to build an alternative framework for national stories, ev outright fabrications.n/?/vel/b//in dot c//om


    After all, Austrsia has the final say in Australia, and no country willpete with Austrsia for the right to interpret this region''s history.


    The experts assembled take this task very seriously, because they have received news that the stories theypile will not only be adapted into sound films and aired nationally and ev worldwide but also pottially be selected and included in Austrsian books.


    These experts may also have their stories remembered in Austrsia for thousands of years.


    After all, they have chos to adopt Austrsian nationality, and who wouldn''t want to have a good reputation in this country?


    Sydney, Royal Film Production Studio.


    The Royal Film Production Studio is the film studio with the most shares held by the royal financial group, ounting for 0%.


    Of course, the other two major film studios, the Victoria Film Studio and the Austrsia National Film Studio, are also backed by the royal financial group. It can be said that in the film studio field, the royal financial group is the big boss behind the sces, and the three major film studios are actually fighting within the royal financial group.


    However, thispetition is allowed, and somemercialpetition can also make the industry''s developmt smoother.


    It''s better than a single dominant yer, letting market monopoly lead to a decline in film quality and various services!


    Kar is a professional film projectionist at the Royal Film Production Studio. The so-called film projectionist is actually a person who takes movie screing equipmt to small towns or rural viges without cinemas to show movies to people there.


    At first, it was because the filmpanies wanted to promote movies and expand their channels, so they wt to rural viges and small towns for promotion.


    Over time, some people have be ustomed to this form of tertainmt. People in some viges oft pool money wh they have extra funds to invite a film projectionist to show a movie.


    In Austrsia, there ar''t many people who can watch movies. If they can afford to invite a projectionist to their vige to show a movie, the vigers won''t mind bragging about it for a whole year.


    But for those film projectionists, while small towns are fine, remote viges are particrly troublesome because the process is time-consuming and burdsome. After all, at this time, film projectionists'' belongings could not ev fit in one horse carriage. Going to a small vige is tirely a punishmt.


    But there''s no choice, as this is the strategy of film studios to expand their markets and the livelihood of these film projectionists.


    The good news is that the price of screing a movie is not cheap. If you include the travel expses and costs to remote areas, the expse of screing a movie is equal to half a year''s ie for an ordinary Austrsian worker.


    This is why most viges and small towns choose crowdfunding wh showing movies, as the cost of a single movie screing requires more than thirty Australian dors, which is close to the average annual ie in Austrsia.


    Because of this reason, the business of film projectionists like Kar is not very good.


    Although a single movie screing can earn them at least two to three months of ie for an ordinary Austrsian, the problem is that for those small towns and viges, the number of movie screings per year may only be one or two times, or ev once in several years.


    This has led to Kar''s business operating once every two or three months, and his ie is only a the average ie level in Austrsia.


    If it wer''t for Kar asionally finding opportunities to scre a movie in a city square, attracting hundreds of viewers and earning some extra ie, his annual ie might be the same as that of an ordinary person.